宏華影院提供的《從今天到明天》不是一部簡(jiǎn)單的其它喜劇片，達(dá)尼埃爾·于伊耶,讓-馬里·斯特勞布導(dǎo)演的從今天到明天首次上映于1997年的法國(guó)地區(qū)，是一部在電影史上有著重大意義的其它語言對(duì)白電影，從今天到明天電影的配樂宛如天籟之音，與畫面完美融合，將電影的情感表達(dá)得淋漓盡致。

電影《從今天到明天》觀后點(diǎn)評(píng)：《從今天到明天》電影的主題深刻而富有哲理，如同人生的縮影，引發(fā)人們對(duì)生命的思考。

《從今天到明天》電影劇情介紹：Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.